{"id":119,"date":"2018-04-16T16:38:39","date_gmt":"2018-04-16T16:38:39","guid":{"rendered":"https:\/\/www.spaceandemergence.com\/?page_id=119"},"modified":"2018-04-16T16:38:39","modified_gmt":"2018-04-16T16:38:39","slug":"writings","status":"publish","type":"page","link":"https:\/\/www.spaceandemergence.com\/?page_id=119","title":{"rendered":"Writings"},"content":{"rendered":"<h6 class=\"p1\"><span class=\"s1\">By Henrik B. Andersen<\/span><\/h6>\n<h6 class=\"p1\">____________________<\/h6>\n<h6 class=\"p1\"><em>Lille essay i bogen \u201cThe recurrent actuality of the baroque\u201d 2017<\/em><em>&nbsp;&#8211; Essay \u201cA note on Bruce Nauman\u201d, Copenhagen Contemporary 2016<\/em><\/p>\n<p><em> Essay \u201cDeath of the Matrix: Forms of Time\u201d, Glory was at the fingertips, Mindaugas Navakas, Lithuanian Art Museum, Vilnius 2015 <\/em><\/h6>\n<h6 class=\"p1\"><em>Et kort essay til Gunther Selichar Concerning Space and Time 2011. Editing Space.&nbsp;<\/em><em>Leipzig Academy\/Vilnius Academy<\/em><\/h6>\n<h6 class=\"p1\"><em>Forord til Festschrift \/ notes on Painting by Troels W\u00f8rsel.&nbsp;<\/em><em>Det Kongelige Danske kunstakademi, Skolen for Visuel Kunst, 2010<\/em><\/h6>\n<h6 class=\"p1\"><em>Postscript to Mille Plateaux, Gilles Deleuze and Felix Guattari.&nbsp;<\/em><em>Dansk overs\u00e6ttelse. Det Kongelige Danske Kunstakademi, Skolen for Visuel Kunst, 2005<\/em><\/h6>\n<h6>&nbsp;<\/h6>\n<h6>About Henrik B. Andersen<\/h6>\n<h6>___________________________<\/h6>\n<h6 class=\"p1\"><em>\u201cThe recurrent actuality of the baroque\u201d essay 2017 af d.phil. Else Marie Bukdahl, tidligere rektor p\u00e5 Det Kongelige Danske Kunstakademi<\/em><\/h6>\n<h6 class=\"p1\"><em>\u201cHvide Kuber\u201d af mag.art. og lektor p\u00e5 Kunstakademiets Arkitektskole Henrik Oxvig, Arkitekten 2010<\/em><\/h6>\n<h6 class=\"p1\"><em>\u201cSliding Zones\u201d Kunsthal Charlottenborg 2010, katalog<\/em><\/h6>\n<h6 class=\"p1\"><em>\u201cSketches\u201d essay ved Henrik Oxvig i katalog \u201cZone Works\u201d, Trapholt 2007<\/em><\/h6>\n<h6 class=\"p1\"><em>\u201cSammenl\u00f8b uden syntese &#8211; Henrik B. Andersens seneste skulpture\u201d essay af Vicky Lea Arndal, Billedkunst 1993<\/em><\/h6>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Henrik B. Andersen ____________________ Lille essay i bogen \u201cThe recurrent actuality of the baroque\u201d 2017&nbsp;&#8211; Essay \u201cA note on Bruce Nauman\u201d, Copenhagen Contemporary 2016 Essay \u201cDeath of the Matrix: Forms of Time\u201d, Glory was at the fingertips, Mindaugas Navakas, Lithuanian Art Museum, Vilnius 2015 Et kort essay til Gunther Selichar Concerning Space and Time [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-119","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/pages\/119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=119"}],"version-history":[{"count":1,"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/pages\/119\/revisions"}],"predecessor-version":[{"id":120,"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=\/wp\/v2\/pages\/119\/revisions\/120"}],"wp:attachment":[{"href":"https:\/\/www.spaceandemergence.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}